- Alan Truman
- Albert Harrison
- Ambrose O'Halloran
- Andrew Hall
- Bob Chapman
- Bob Neill
- Clive Brooks
- Colin Fishwick
- David Springett
- Gary Rance
- Gerry Marlow
- Ian Clarkson
- Joey Richardson
- John Berkeley
- Ken Allen
- Les Thorne
- Margaret Garrard
- Mark & Lisa Raby
- Mark Baker
- Mark Hancock
- Mick Hanbury
- Nick Agar
- Nick Arnull
- Nikos Siragas
- Phil Irons
- Robin Wood
- Russell Kebble
- Sarah Thirlwell
- Simon Hope
- Steve Wright
- Stuart King
- Sue Harker
- Tony Wilson
- Tracy Owen
- Walt Claxton
- Walt Claxton & Tom Allison
Andrew Hall 9 July 2009
Introduction
Andrew’s project for this visit was quite different from the hat
he turned last year;
it was a whisky flask turned from oak. He had agreed
not to make a hat on this occasion but you will see later in this write-up
that he still managed to include a small hat!
He explained that he usually turns his flasks out of oak as this
is the
wood whisky is matured in at the distillery and said timber with
a moisture content of 12% or less is ideal for this project. (See photos
AH 1/2 and 03 for an example of one he had turned the day before the
demonstration). Andrew had brought along two television screens, a laptop
and camera which were used alongside the club’s own audio visual presentation.
His small screen and camera were used to show another view of him working
whilst he used the big screen and laptop to run a presentation to illustrate
the key stages of the project. It is also interesting to look at photo
AH 9 as it shows Andrew’s presentation along with the club’s audio visual
presentation.
The Main Body
Andrew started with a block of oak approximately 2” thick which had
been laminated with a
piece of pine tongued and grooved floorboard on
each side. He found the centre at each end then drew lines all round,
drawing them along the length. (See photos AH 4 and 5) and mounted this
on the lathe using a steb centre at each end. He used a 1½” spindle
roughing gouge to remove the sharp edges from the sides until he had
a nice curve, then using a template to mark where the centre of the
front would be, he drew a line through this, all round the middle, then
marked the datum points for the top, bottom, length, width etc. and
used a square to draw these points all the way round. He removed some
more of the bulk with the big spindle roughing gouge then, using a fishtail
parting tool, he turned a tenon on the headstock end to mount it in
the chuck and used a bowl gouge to turn away some of the timber at the
tailstock end. With the aid of a pair of callipers he got it to the
correct diameter for the top then started turning the neck and some
of the curve at the bottom (See photos AH 6 and 7).
Next Andrew took the work off the lathe and mounted it in the chuck.
He used a bowl gouge to start turning the basic shape and remove the
waste timber, making sure he had a nice fluid curve on the sides without
any points or flat spots. Once he was happy with the curve he used a
⅜” bowl gouge to turn the neck and a spindle gouge to get a sharp edge
where the neck meets the body. Still using the ⅜” bowl gouge he started
to turn the inside of the neck and used a parting tool to mark the centre,
he also used the parting tool to mark where he would eventually turn
off the base. (See photos AH 8/9/10/11 and 12).
With the lathe running slowly and using a bullet drill bit (See photo AH 13) in a Jacobs chuck which was mounted in a homemade handle, Andrew drilled into the neck and down into the body to make the hole where the whisky would eventually be poured from. He suggested that if you don’t feel confident hand holding the drill you could mount it in a Jacobs chuck in the tailstock. He shaped the inside of the neck with a spindle gouge, then sanded it using the sandpaper on a sponge to make it easier to go round the curves and parted it off, using a parting tool to take it down to about ¼” then finished cutting it off with a Japanese saw to avoid tear out. He sanded the base using a homemade sanding disk mounted on the lathe, taking care to ensure it was flat.
Andrew now mounted the flask between centres; using the steb centres
to grip the flat sides
(See photo AH 14). He used a ⅜” parting skew
to turn a spigot on the sacrificial timber on one of the sides, taking
great care not to catch his fingers on the neck and not to catch the
neck on the tool rest, then he mounted it into the chuck. With the lathe
running at about 1200 rpm he turned away the sacrificial timber on the
other side, again taking care to ensure he didn’t catch the neck. He
sanded it with the lathe running then again with the lathe turned off,
sanding with the grain to remove any rings. He marked a circle on the
side which he was going to use to turn the inside of the flask and then
fill with a turned bung. He started turning the internal edges of the
hole with a parting tool which had a piece of tape on it to measure
the depth, ensuring it would leave 3mm of timber on the other side,
then he turned the bulk of the timber away with a bowl gouge then the
parting tool again to turn a lip inside the hole and to make sure the
sides and base of the hole were nice and flat (See photo AH 15).
Once this was completed he turned it round on the lathe, using the
hole he had just made to mount it on the chuck, and turned away the
chucking point and the sacrificial timber, then sanded it and used and
Eli Avisera gouge to turn a pattern of three rings on the side, to match
with the hole on the other side. The main part of the flask was now
complete. (See photo AH 16).
The Stopper
Andrew mounted a piece of timber measuring approximately 2” square
by 3” long between steb centres, turned it round and made a chucking
point. He mounted this in the chuck and turned a tapered piece approximately
1” long to fit into the hole he had drilled in the neck, using a pair
of callipers set from the drill to ensure it was the correct size and
checking it on the flask to ensure it was a nice twist fit. He turned
the shape for the top leaving it wide enough to form a collar over the
neck and coloured the top of this collar with a red colouring pen then
parted it off. He used the timber left in the chuck as a jam chuck,
turning a hole in it with the drill, to hold the tapered piece. He finished
the stopper by turning it to a ‘top hat’ shape! (See photo AH 17).
The Bung
Finally Andrew turned a bung to fit the hole in the side. This needed to be made from a piece of side grain so the whisky cannot seep out of it. He used a 2” cube of timber, marked the centre on each side and mounted it between steb centres – with the steb centres gripping the sides, not the ends. He turned it round with a bowl gouge, explaining that you must not turn this with a roughing out gouge as you are turning end grain, a bit like a mini bowl.
He used a parting tool to turn a shallow spigot the size of the hole
in the side of the flask and mounted it in the chuck. He then turned
another spigot on the other side which he carefully fitted into the
flask, making sure it was a good tight fit. He explained that he had
cut the first spigot to fit the flask so that he would have a second
chance if he spoilt the first bung. He parted it off and mounted it
in the chuck and used a spindle gouge to turn it to a nice curved shape,
sanded it and turned three rings in it to match the other side of the
flask.
Using a good quality superglue round the rebate he glued the bung into the side, ensuring the grain ran in the same direction on both pieces. To finish this project Andrew said he would use a food safe oil. (See photos AH 18 and 19).
The first prize in this evening’s raffle was a kit to make the flask, together with a set of the presentation slides to work from. This was won by Ralph Beal and at the end of the evening Andrew presented Ralph with a miniature bottle of whisky as he said you cannot have a whisky flask without whisky. What a nice gesture.
I thoroughly enjoyed this project, in fact I would probably say that
in my opinion it was one of the best demonstrations I have seen at our
club. So thank you Andrew for yet another captivating evening.![]()
Lorrie Flannery
SWC club member
