- Alan Truman
- Albert Harrison
- Ambrose O'Halloran
- Andrew Hall
- Bob Chapman
- Bob Neill
- Clive Brooks
- Colin Fishwick
- David Springett
- Gary Rance
- George Bell
- Gerry Marlow
- Ian Clarkson
- Joe Laird
- Joey Richardson
- John Berkeley
- Ken Allen
- Les Thorne
- Margaret Garrard
- Mark & Lisa Raby
- Mark Baker
- Mark Hancock
- Martin Pidgen
- Mick Hanbury
- Nick Agar
- Nick Arnull
- Nikos Siragas
- Paul Jones
- Phil Irons
- Peter Berry
- Peter Wood
- Robin Wood
- Russell Kebble
- Sarah Thirlwell
- Simon Hope
- Simon Whitehead
- Steve Wright
- Stuart King
- Sue Harker
- Tony Wilson
- Tracy Owen
- Walt Claxton
- Walt Claxton & Tom Allison
Margaret Garrard 14 July
Margaret turned three projects for us this
evening, all of which were quite different from anything we have
seen her do before.
1. Christmas Decoration
Margaret turned this from three pieces of
softwood, each measuring 8¼” by 3⅝” by 1⅝”,
which had been glued
together with animal glue on the wide faces. She found the centre at
each end and mounted it between steb centres, then she marked one of
the glue joints with a pencil so she would be
able to see where it
was as it turned on the lathe. Using a 1” roughing gouge she turned
the corners off then turned it to a cylinder, gradually increasing
the lathe speed as she went. When she had turned it to the glue
lines she stopped. (See photos MG11_01 and 02).
Next she used a template to mark the
widest
branch and the wasted wood at the top and bottom. Using a parting
tool she turned the top down to 55mm then used the roughing gouge to
turn a Christmas tree shape from the 55mm piece at the top, to the
line which marked the widest branch. Using the template again she
marked the branches then used a swept back spindle gouge to turn a
cove in the area between the lines marking the widest branch and the
next one. She then repeated this for each of the branches, taking
care not to turn into the glue joints. Gradually she refined the
shape of each of the branches. (See photos MG11_03 to 07).
Margaret used a parting tool to turn the bottom
of the ‘bucket’ to 55mm then used the roughing gouge to turn away
the waste timber. Whilst doing this she hit a knot in the timber
which caused one of the glue joints to come apart. She said it was
probably also caused by her using a minimum amount of glue to make
it easier for her to open the joints when she had finished.
Undeterred, Margaret continued turning half a tree and shaped the
bucket. When she was happy with the shape Margaret took it off the
lathe, not bothering to sand it as she only had one half of the
tree. To separate the glue joint she put it in a bowl of boiling
water and after a short time the joint separated and she cleaned the
glue off with paper. (See photos MG11_08 and 09).
To finish the decoration Margaret sands the two flat surfaces, as the water tends to warp them, then glues them together, holding them in place with elastic bands. (See photo MG11_10).
2. Coaster with ceramic insert
Margaret started by mounting a waste disk of
timber on the lathe.
Next she took a piece of timber measuring 4⅛”
square by ½” thick which had a hole drilled in each corner. She
found the centre then held it against the disk in the chuck with the
tailstock and screwed it onto the waste wood, using square headed
screws from Axminster Tools. First she marked a 55mm chucking point and
used a parting tool to turn a shallow recess, then turned away some
of the material in the middle with a spindle gouge. She turned a
button in the middle and a couple of beads then marked a circle on
the outer edge with a pencil and turned a small curve outwards from
this, taking care to avoid catching the screws. To finish this side
she tidied the beads, leaving a flat edge on the bigger one for the
chuck to rest against, then sanded it lightly working from 120 grit
through to 320 grit. (See photos MG11_11 to 13).
After taking it off the waste wood Margaret
mounted it on the chuck, in the recess and used a spindle gouge to
carefully turn away the corners until it was round. She marked a
recess to hold the ceramic tile insert then turned away the excess
material using a parting tool and a spindle gouge, making sure it
was the right
depth and the surface was flat. To check the diameter
of the recess she used her ceramic tile which had a piece of tape
stuck to it so she could pull it out if it was a snug fit. After
getting the diameter right she found the tile was standing slightly
proud and it rocked a little so she tidied up the inside then cut a
tiny recess to fit onto the chuck to enable her to finish the
bottom. By the time she finished the recess it was still a snug fit
but she decided to sand away the excess. To finish this side
Margaret turned a bead on the outer edge so it was curved on the top
and bottom, then sanded it. Finally she turned it round on the lathe
and turned the chucking recess to a bead. (See photos MG11_14 to
19).
After finishing her coasters Margaret fixes the ceramic tile in using either super glue or gorilla glue.
3. Candlestick
For her final project Margaret mounted a small
yew log between steb centres, positioning them slightly away from
the centre of the log, and used a parting tool to turn a spigot on
one end. She then used this to mount it in the chuck and held it in
place with the tailstock to tighten it. She drilled a hole in the
end, to fit the size of the candle cup, using a forstner bit mounted
in the Jacob’s chuck in the tailstock. Then, once she had finished
drilling she used a revolving centre to hold the wood steady. (See
photo MG11_20).
Margaret carefully squared up the end using a
swept back spindle gouge then used a
parting tool to mark where she
intended to part it off. She started removing the bark at the
tailstock end with a roughing gouge, gradually working along the
log, but leaving an area of bark approx. 2”-3” long. After marking
where the cup ends Margaret parted away some timber beneath it and
curved the cup area down to it. When she had finished turning the
cup Margaret moved the tailstock away and finished tidying the
inside of it, making a slight curve both inside and out. Once this
was done she brought the tailstock back to support it. (See photo
MG11_21).
Next Margaret removed more timber along the
length of the candle holder, tidied the shape of the outside of the
cup and started to shape the stem. The shape she turned was nice but
a bit chunky so she reduced the size of the whole thing, starting
with the cup then working along the stem again. Once she was happy
with the shape she used a skew chisel to crisp up all the edges then
she sanded it, folding the paper to get it into the curves. (See
photos MG11_22 to 24).
Once she had finished she parted it off, trying
to get it as smooth as possible,
then took it off the lathe and
mounted a jam chuck in the jaws to fit into the cup and held it in
place with the tailstock, with enough pressure to hold it but not
split it. It was a bit loose on the jam chuck so she held it in
place with tape. Finally she turned away the excess material on the
bottom with a spindle gouge then tidied up and finished the bottom.
(See photos MG11_25 to 28).
It is always a pleasure to see Margaret demonstrating at our club and tonight was no exception. She turned three very different and interesting projects and in doing so gave me an answer I have been seeking for some time, namely the best way to hold a coaster on the lathe. There are no excuses now, I will just have to go ahead and turn some.
Lorrie Flannery
SWC club member
